It’s Holy Week in the town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla is to play Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep. Vivid, darkly funny, and beautifully rendered, ‘The Five Wounds’ spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, whom Angel isn’t speaking to; and To Tve, keeper of the family’s history.